Since her first photographs in the late ’70s,&,nbsp,Bettina Rheims&,nbsp,has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in&,nbsp,I.N.R.I.(1998), from Chanel commercials to&,nbsp,Gender Studies&,nbsp,(2011), her work has shaken up traditional iconography and pushed restlessly at the&,nbsp,breaking point between two great human
Popis produktu
Since her first photographs in the late ’70s,&,nbsp,Bettina Rheims&,nbsp,has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in&,nbsp,I.N.R.I.(1998), from Chanel commercials to&,nbsp,Gender Studies&,nbsp,(2011), her work has shaken up traditional iconography and pushed restlessly at the&,nbsp,breaking point between two great human preoccupations: beauty and imperfection.This Rheims retrospective showcases&,nbsp,more than 300 photographs&,nbsp,from 35 years of daring, often defiant photography.&,nbsp,Personally selected and assembled by Rheims, the collection brings together renowned series such as&,nbsp,Chambre Close,&,nbsp,Héroines, and&,nbsp,Rose, c’est Paris. Spanning commercial work and artistic series, the retrospective impresses with each turn of the page, as much for the strength of each image as for the&,nbsp,thrilling variety of Rheims’s subjects and aesthetics. With equal attention to anonymous subjects cast in the street as to global celebrities including&,nbsp,Kate Moss,&,nbsp,Madonna,&,nbsp,Monica Bellucci,&,nbsp,Claudia Schiffer, and&,nbsp,Naomi Campbell, the book showcases Rheims’s particular interest in female fragility and strength, and of the magic encounter between model and artist which disrupts codes of so-called eroticism to build up a&,nbsp,new image system for womanhood.
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